About
Caroline Feitosa (pronounced “fay-toes-ah”) is a Brazilian-American film composer and guitarist. She is an artist for Haunted Labs Pedals and Acer Guitars.
Originally from Colorado, She had an extensive career with the School of Rock for six years performing at various venues, including the legendary Red Rocks Amphitheater.
After leaving the School of Rock, Caroline attended a performing arts high school and middle school in Denver where she honed her skills in classical and jazz guitar.
Exploring her compositional style in high school, she decided to pursue a career in the field of media composition. This led to her enrollment at the San Francisco Conservatory of Music as an undergraduate student in the Technology and Applied Composition program. She studied privately with Marco D’Ambrosio and Jonathan Bingham. After her enrollment, Caroline participated in several competitive collaborations through the school including her piece for the Meta4 Quartet and Splinter Reeds (both finalists for the Morton Gould Young Composer Awards). In her final year at SFCM, she heavily participated in Arcade Live! A collaboration with Classical KDFC and KUSC, creating original arrangements and medleys of Lennie Moore’s Coruscant Cues from Star Wars: The Old Republic and The Legend of Zelda Theme by Koji Kondo. Caroline also greatly contributed to the San Francisco International Film Festival’s Sound and Cinema Fellowship as Supervising Sound Editor , session producer/engineer, and score mixer.
In addition to her classes, Caroline had personal film scoring masterclasses with Harry Gregson-Williams, Michael Abels, Emile Mosseri, and Catherine Joy (founder of Joy Music House). Caroline also worked regularly with the brand Starface World to create original music and sound design.
She graduated from the San Francisco Conservatory of Music with her Bachelors Degree in Technology and Applied Composition with the Provost Academic Achievement Award in 2025.
After graduating, Caroline worked with Oscar-nominated composer Emile Mosseri (“Minari”) to co-compose the score to “The Jar” a film made by director Joe Talbot (“The Last Black Man In San Francisco”) and students at the 48 hills summer camp.
With her versatile skill set and driven work ethic, she continues to score films and any project that calls for music.
Photos by Alex Heigl and Matthew Washburn
Logo designed and created by Lily Lemme
Pictured above: Caroline and Manuel Calderon